Press/Bio
Joe Deninzon has been hailed by critics as “The Jimi Hendrix of the Violin,” because of his innovative style on the “Viper” seven-string electric violin.
Most recently, he became electric violinist/backup vocalist/rhythm guitarist for the legendary rock band, Kansas. Joe is also the lead singer and violinist for the progressive rock band,Stratospheerius, which has just released their 6th album, “Impostor!" to critical acclaim.
Joe has performed and/or recorded with the Who, Bruce Springsteen, 50 Cent, Sheryl Crow, Ritchie Blackmore, Alex Skolnick, Smokey Robinson, Les Paul, Peter Criss (KISS), Michael Sadler (Saga), Renaissance with Annie Haslam, Kurt Elling, and as a soloist with Jazz at Lincoln Center and the New York City Ballet.
He can be heard on over a hundred albums and jingles as a violinist and string arranger. A BMI Composer’s Grant recipient and winner of the John Lennon Songwriting Contest, he has composed solo and chamber works for violinist Rachel Barton Pine, and in 2015, premiered his Electric Violin Concerto with the Muncie Symphony Orchestra.
Joe has also worked with the Sweet Plantain String Quartet, which combines Latin Jazz with hip-hop and Classical music, and has toured throughout Europe and the U.S.
Joe has made annual appearances performing at the Grand Canyon Music Festival with renowned harmonica virtuoso Robert Bonfiglio.
A passionate educator, in 2007, Joe co-founded the Grand Canyon School of Rock, an annual music program for local high school students in Northern Arizona. Joe is a faculty member at the New Jersey City University Multi-Style Strings Program. He travels worldwide as a clinician and has contributed articles to Strings Magazine, Downbeat, American String Teachers Journal, and Making Music Magazine. In 2012, Mel Bay published Joe’s book, “Plugging In.” Joe has taught at the Mark Wood Rock Orchestra Camp, Mark O’Connor String Camp, “Strings Without Boundaries,” and “Fiddle Hell,” and has presented multiple workshops at the American String Teachers National Conference.
Chris Haigh’s book, “Discovering Rock Violin,” lists one of Joe’s recorded solos among the “Top 20 greatest rock violin solos of all time.”
Joe holds a Bachelors degree in Violin Performance from Indiana University and a Masters in Jazz Violin From Manhattan School of music.
He resides in New Jersey with his wife Yulia Ziskel, violinist with the New York Philharmonic, and their two children, Max and Arianna.
Photo by Adam Brett Schnee
Press Contact
Management/Publicity: Anne Leighton
anneleighton.com
anne@anneleighton.com
718-881-8183
P.O. Box 670922
Bronx, New York 10467
U.S.A
To book Joe for a residency, clinic, masterclass or performance, please email info@joedeninzon.com.
Press Clippings
Indianapolis Star [February 2010]
Cross-pollination of musical genres is hugely popular these days, and some musicians see no limit to the musical value that these experiments produce. Joe Deninzon is one such musician. He branched out from classical violin, which he learned at an early age, to find virtue in just about any genre you can shake a (fiddle) stick at.
Headspace: Rock Metal Bands [2009]
As one can infer from the front cover, the band I am about to describe is really unique as for both genre, techniques used and arrangements. I beg forgiveness in sackcloth and ashes because I neglected attention to their previous works, which means I don’t have a touchstone from the past…
GearWire [January 2009]
Joe Deninzon of Stratospheerius says you could fill ten books with him talking about the violin. We decided, therefore, to get specific. We talked to Deninzon about his Viper Violin and how he would up playing it.
Kalamazoo Gazette [April 2008]
As a young man, Stratospheerius frontman Joe Deninzon played bass, guitar and violin. There came a point when he had to pick an instrument, and he went with the violin because he was better at it.
Headspace: Cool Cleveland [2007]
It’s familiar, but like absolutely nothing you’ve heard before. Led by electric violinist/vocalist/mandolinist and former Clevelander Joe Deninzon, Stratospheerius unleashes their fourth full-length effort with an assortment of songs that simply careen from your speakers.
Headspace: Blog Critics Music [2007]
There’s so much going on on this CD that it could merit an “Indie Round-Up” column all on its own. Stratospheerius’s music can’t be pegged to one genre, but neither is it a simple hybrid of a couple of styles. For that reason, it’s exciting stuff.




![Indianapolis Star [February 2010]](https://joedeninzon.com/wp-content/uploads/2011/06/indystar-400x200.jpg)
![Headspace: Rock Metal Bands [2009]](https://joedeninzon.com/wp-content/uploads/2009/04/rock_metal_bands-400x200.jpg)
![GearWire [January 2009]](https://joedeninzon.com/wp-content/uploads/2011/06/gearwire-400x200.jpg)
![Kalamazoo Gazette [April 2008]](https://joedeninzon.com/wp-content/uploads/2011/06/kalamazoo_gazette-400x200.jpg)
![Headspace: Cool Cleveland [2007]](https://joedeninzon.com/wp-content/uploads/2011/06/coolcleveland-400x200.jpg)
![Headspace: Blog Critics Music [2007]](https://joedeninzon.com/wp-content/uploads/2011/06/blog_critics_music-400x200.jpg)